What's On — Cbsoplayers events
-
Handel's Messiah City of Birmingham Choir
Fri 5 Dec Symphony Hall
Christmas would not be Christmas without the City of Birmingham Choir’s highly acclaimed performances of Messiah. Birmingham’s festive season gets underway with our two inspiring performances of Handel’s epic, moving _Oratorio_ - as fresh today as it was in Handel’s time.
*City of Birmingham Choir* *City of Birmingham Symphony Orchestra* *Adrian Lucas* conductor *Thomas Trotter* harpsichord *David Newsholme* organ
*Handel* Messiah 120'
-
A London Symphony
Wed 17 Dec Symphony Hall
For our final tribute to Vaughan Williams in this 50th anniversary year of his death, we are joined by one of his leading interpreters for a rare hearing of the original 1913 version of his ‘London’ Symphony. This extraordinary work was subsequently dedicated to his friend George Butterworth, who unlike Vaughan Wiliams never returned from the trenches of World War I - as a result we only have a few pieces, of which tonight’s is the best known, to remember him by. The dazzling 1920s concerto by Vaughan Williams’ teacher Ravel completes the programme. 6.15pm Pre-concert talk - “A Symphony by a Londoner” English music specialist Michael Foster explores the genesis of Vaughan Williams’ colourful symphony.
Richard Hickox - conductor Kirill Gerstein - piano City of Birmingham Symphony Orchestra
Butterworth: Banks of Green Willow 6’ Ravel: Piano Concerto in G major 21’ Vaughan Williams: A London Symphony (original version) 61’
-
Handel’s Jephtha
Thu 15 Jan 2009 Town Hall
250 years since Handel’s death, we return to the hall where so many of his works have been heard, not least as the cornerstone of the Birmingham Triennial Festivals. Jephtha, his last oratorio, is one of his very finest works in English, and tells the story of the great military captain who finds himself in conflict with God’s law as a result of a rash promise. Featuring a host of glorious arias and dramatic choruses, and with a leading cast conducted by Handel specialist Nicholas McGegan, this is a must for Handel fans. There will be one interval after Act One. 6.15pm Pre-concert talk - Handel’s Jephtha Conductor Nicholas McGegan • in conversation with CBSO Events Officer Richard Bratby.
Nicholas McGegan - conductor Paul Nilon - Jephtha Dominique Labelle - Isis Dianna Moore - Storge Daniel Taylor - Hamor Andrew Foster-Williams - Zebul City of Birmingham Symphony Orchestra City of Birmingham Symphony Chorus
Handel: Jephtha 150’
-
Celebrating Nielsen: Pride & Power
Sat 17 Jan 2009 Symphony Hall
We have invited the Hallé to give the second half of our Nielsen cycle with its music director Mark Elder. Nielsen might have written his First Symphony while he was working as a second violinist, but there’s nothing bashful about it - he even marked the score “Proudly”! It bursts with energy and freshness. His mighty Fifth Symphony is even more powerful - a gripping musical battle between order and chaos, triggered by one of the all-time great drum solos. It’s one of the greatest symphonies of the 20th century, so it’s only fitting that our guests are playing it alongside two dramatic masterpieces by Nielsen’s hero - Ludwig van Beethoven. 5.45pm Pre concert talk - Nielsen: Pride and Power An introduction to tonight’s pieces by these two musical power-houses.
Hallé Sir Mark Elder - conductor Anja Kampe - soprano
Beethoven: Overture, Egmont 8’ Nielsen: Symphony No. 1 27’ Beethoven: Ah, Perfido! Scene and Aria 15’ Nielsen: Symphony No. 5 35’
-
Wagner: Passion Beyond Reason
Wed 28 Jan 2009 Symphony Hall
Andris Nelsons has already won great acclaim for his interpretations of Wagner’s operas in Riga, and next year he makes his debut at the Bayreuth Festival. For his first CBSO Wagner outing, he has chosen contrasting extended sequences from three of the composer’s greatest operas, culminating in the apocalyptic climax of the entire Ring cycle. Acclaimed Swedish soprano Iréne Theorin takes the roles of Isolde and Brünnhilde - two of the very greatest operatic heroines, both driven by a love more powerful than life itself.
Andris Nelsons - conductor Iréne Theorin - soprano City of Birmingham Symphony Orchestra
Wagner: Tannhäuser - Overture and Venusberg Music 24’ Wagner: Tristan und Isolde - Prelude and Liebestod 17’ Wagner: Götterdämmerung - Siegfried’s Rhine Journey, Siegfried’s Funeral March & Brünnhilde’s Immolation
-
Wagner: Passion Beyond Reason
Thu 29 Jan 2009 Symphony Hall
Andris Nelsons has already won great acclaim for his interpretations of Wagner’s operas in Riga, and next year he makes his debut at the Bayreuth Festival. For his first CBSO Wagner outing, he has chosen contrasting extended sequences from three of the composer’s greatest operas, culminating in the apocalyptic climax of the entire Ring cycle. Acclaimed Swedish soprano Iréne Theorin takes the roles of Isolde and Brünnhilde - two of the very greatest operatic heroines, both driven by a love more powerful than life itself.
Andris Nelsons - conductor Iréne Theorin - soprano City of Birmingham Symphony Orchestra
Wagner: Tannhäuser - Overture and Venusberg Music 24’ Wagner: Tristan und Isolde - Prelude and Liebestod 17’ Wagner: Götterdämmerung - Siegfried’s Rhine Journey, Siegfried’s Funeral March & Brünnhilde’s Immolation
-
Family Concert: All Aboard!
Sun 1 Feb 2009 Symphony Hall
Hop on board as we launch into gear and jet off around the world for an incredible musical journey on planes,trains, automobiles and much more besides. This funpacked afternoon will have you going round the bend and looping the loop, as we thrill and swerve with fast rides and whacky races, and sail on the ocean blue. Be transported by music including Adams’ Short Ride in a Fast Machine, Villa-Lobos’ Little Train of the Caipira, Honegger’s Pacific 231 and more. Don’t miss the boat- buy your return ticket now, and join the CBSO as we go full steam ahead! FREE CREATIVE WORKSHOPS AND MUSIC in the foyers from 1.30pm. Why not come in fancy dress?
Andris Nelsons -conductor Michael Collie - presenter City of Birmingham Symphony Orchestra
-
Celebrating Nielsen: Sinfonia Espansiva
Tue 3 Feb 2009 Symphony Hall
Nielsen’s music is so fresh and clear that it’s not hard to hear it as musical landscape painting - inspired by the countryside and folklore of his native Denmark. He dubbed his Third Symphony “Expansive”, and it’s easy to hear why; this is simply some of the most radiant music of modern times with an ecstatic slow movement featuring wordless parts for singers. In this final instalment of the CBSO and the Hallé’s joint Nielsen Symphony Cycle, conductor Mark Elder and the Hallé return to pair the Symphony with two more great Scandinavian landscapes - the fire and ice of Sibelius’ Violin Concerto and Grieg’s much loved Peer Gynt suite; just four of the most irresistible tunes ever written!
Sir Mark Elder - conductor Nadine Livingston - soprano Matthew Brook - baritone Alina Pogostkina - violin
Grieg: Peer Gynt - Suite No. 1 13’ Sibelius: Violin Concerto 31’ Nielsen: Symphony No. 3 (Espansiva) 38’
-
Dvorák’s New World
Thu 5 Feb 2009 Symphony Hall
Was there ever a more evocative, nostalgic work than the New World Symphony? Right from the opening bars it is clear that the composer’s thoughts were more of his beloved Bohemia than of the exciting city of New York in which he found himself. Rachmaninov also had his moments of homesickness after he moved to the USA, but the bubbly brilliance of his ever-popular Paganini Rhapsody makes it one of his most extrovert works. Sometimes musicians simply choose to ignore their surroundings: Prokofiev’s equally brilliant first symphony was composed, amazingly, against the stormy background of the Russian Revolution!
Michal Dworzynski - conductor Alexander Kobrin - piano City of Birmingham Symphony Orchestra
Prokofiev: Symphony No. 1 (Classical) 15’ Rachmaninov: Rhapsody on a theme of Paganini 25’ Dvorák: Symphony No. 9 (From the New World) 40’
-
Friday Night Classics: A Night at the Oscars
Fri 6 Feb 2009 Symphony Hall
Put the champagne on ice and roll out the red carpet as silver-screen showman Carl Davis hosts this evening of Oscar-winning movie soundtracks. With themes that include The Lord of the Rings, Dr Zhivago, Lawrence of Arabia, Dances with Wolves, Titanic, Robin Hood, The Godfather and much more, join us for a night that celebrates the soundtrack to all our lives.
Carl Davis- conductor City of Birmingham Symphony Orchestra
-
Bruch's Violin Concerto
Wed 11 Feb 2009 Symphony Hall
The latest in a long line of outstanding young conductors to emerge from Finland, Pietari Inkinen makes his Birmingham debut with the youthful First Symphony by his compatriot Sibelius. The passionate sweep of this music ends a programme full of romantic ardour for the week of Valentine’s Day: Bruch’s timeless concerto is played by the CBSO’s leader, and a selection of Mendelssohn’s music for Shakespeare’s beloved romantic comedy provides a perfect companion.
Pietari Inkinen - conductor Laurence Jackson - violin City of Birmingham Symphony Orchestra
Mendelssohn: A Midsummer Night’s Dream - Overture, Scherzo and Wedding March 20’ Bruch: Violin Concerto No. 1 26’ Sibelius: Symphony No. 1 38’
-
Schools Concert: New World Symphony 11.30am and 1.30pm
Fri 13 Feb 2009 Symphony Hall
Set sail for America with the CBSO, to hear the New World as the Czech Antonín Dvorˇák experienced it in 1893 - full of promise and new sounds. The slow movement of this most popular of symphonies is renowned for featuring on the Hovis advertisement, and today’s performances - devised especially for Key Stage 2 children (years 5 & 6) - make this a perfect introduction to the sights and sounds of symphony orchestra. “I might be able to play as good as you, if I keep practising.” Child at The Planets Schools Concert, February 2008 Special prices apply: £4 per ticket for children and teachers, and home-schooling* children and parents. To book please call Group Bookings on 0800 358 7070. For information on pre-concert support packages and other opportunities available for schools with the CBSO, please contact the CBSO’s Education Department by email (education@cbso.co.uk) or telephone (0121 616 6530). *proof of eligibility, eg registration with your Local Authority, will be required.
Michael Seal - conductor Tommy Pearson - presenter City of Birmingham Symphony Orchestra
-
Transfigured Night
Thu 19 Feb 2009 Symphony Hall
The idea of transfiguration loomed large for late romantic artists, and these two masterpieces by Strauss and Schoenberg • although the product of composers who were just 25 years old • seem to sum up a whole lifetime’s experience in music that is among the most luscious ever composed. Schoenberg’s masterpiece for strings tells of a transfigured night in which a couple fall in love all over again. Messiaen’s more explicitly religious world-view provides the perfect complement: in his powerful piece for wind, brass and percussion he expresses his own deeply-held beliefs on the resurrection of the dead. And the concert climaxes with a chance to hear the CBSO and Andris Nelsons • already so admired in Strauss’s music • play the magnificent tone poem Death and Transfiguration.
City of Birmingham Symphony Orchestra Andris Nelsons - Conductor
Schoenberg: Verklärte Nacht 32’ Messiaen: Et exspecto resurrectionem mortuorum 26’ Strauss: Tod und Verklärung 24’
-
Made in America
Tue 24 Feb 2009 Symphony Hall
Many composers have left Europe to find a new home in the USA, and both in Bartók’s wartime Concerto for Orchestra • composed for the virtuosi of the Boston Symphony Orchestra • and Dvorˇák’s most popular concerto, composed in New York, you can hear elements of each composer’s old world as well as the new. John Adams’ riotous orchestral showpiece seems more authentically American, though it was a by-product of his celebrated opera Nixon in China, and imagines Madam Mao reliving her music-hall past.
Andris Nelsons - conductor Alban Gerhardt - cello City of Birmingham Symphony Orchestra
Adams: The Chairman Dances (24 Feb) 12’ Dvorák: Cello Concerto in B minor 40’ Bartók: Concerto for Orchestra 35’
-
Made in America
Wed 25 Feb 2009 Symphony Hall
Many composers have left Europe to find a new home in the USA, and both in Bartók’s wartime Concerto for Orchestra • composed for the virtuosi of the Boston Symphony Orchestra • and Dvorˇák’s most popular concerto, composed in New York, you can hear elements of each composer’s old world as well as the new. John Adams’ riotous orchestral showpiece seems more authentically American, though it was a by-product of his celebrated opera Nixon in China, and imagines Madam Mao reliving her music-hall past.
Andris Nelsons - conductor Alban Gerhardt - cello City of Birmingham Symphony Orchestra
Brahms: Three Hungarian Dances 12’ Dvorák: Cello Concerto in B minor 40’ Bartók: Concerto for Orchestra 35’
-
Viennese Masters with Mackerras
Wed 4 Mar 2009 Symphony Hall
Still leading a vigorous musical life well into his eighties, Sir Charles Mackerras is a living legend, and in tonight’s programme he brings his wealth of experience to three of his favourite composers. Our first contribution to the Haydn bicentenary celebrations comes in the smiling form of one of the composer’s ‘Paris’ symphonies, while a distinguished pianist joins Sir Charles for one of Mozart’s most delectable piano concertos. Beethoven’s energetic Seventh completes a splendidly cheerful programme.
Sir Charles Mackerras- conductor Imogen Cooper - piano City of Birmingham Symphony Orchestra
Haydn: Symphony No. 85 (La Reine) 21’ Mozart: Piano Concerto No. 22 K.482 33’ Beethoven: Symphony No. 7 36’
-
Viennese Masters with Mackerras
Sat 7 Mar 2009 Symphony Hall
Still leading a vigorous musical life well into his eighties, Sir Charles Mackerras is a living legend, and in tonight’s programme he brings his wealth of experience to three of his favourite composers. Our first contribution to the Haydn bicentenary celebrations comes in the smiling form of one of the composer’s ‘Paris’ symphonies, while a distinguished pianist joins Sir Charles for one of Mozart’s most delectable piano concertos. Beethoven’s energetic Seventh completes a splendidly cheerful programme.
Sir Charles Mackerras- conductor Imogen Cooper - piano City of Birmingham Symphony Orchestra
Haydn: Symphony No. 85 (La Reine) 21’ Mozart: Piano Concerto No. 22 K.482 33’ Beethoven: Symphony No. 7 36’
-
Schubert’s Great
Tue 17 Mar 2009 Symphony Hall
Glinka: Ruslan and Ludmila - Overture Tchaikovsky: Piano Concerto No. 1 schubert: Symphony No. 9 (The Great) Always a favourite with CBSO audiences and players, the distinguished conductor Walter Weller returns for one of the greatest musical masterworks from his native Vienna, Schubert’s last completed symphony. Though never performed in the composer’s lifetime, it has since become one of his most frequently-performed works;Tchaikovsky’s equally well-known concerto also nearly never saw the light of day, its dedicatee denouncing it as ‘poorly composed and unplayable’. Well, pianists and audiences since 1874 have tended to disagree!
Walter Weller -conductor Sergey Kuznetsov -piano City of Birmingham Symphony Orchestra
Glinka: Ruslan and Ludmila - Overture Tchaikovsky: Piano Concerto No. 1 Schubert: Symphony No. 9 (The Great)
-
Haydn’s Surprise
Sat 28 Mar 2009 Town Hall
Following an electrifying CBSO debut last season, Manze celebrates two of this year’s anniversary composers, in the Town Hall where so much of their music was heard in the Triennial Festivals and which Mendelssohn famously visited on a number of occasions. His Reformation Symphony combines Protestant and Catholic themes in a superbly fresh manner, while Haydn’s music is always full of surprises! We are joined by a well loved pianist for major works by both composers.
Andrew Manze -conductor Angela Hewitt - piano City of Birmingham Symphony Orchestra
Haydn: Symphony No. 94 (Surprise) 20' Mendelssohn: Piano Concerto No. 1 20' Haydn: Piano Sonata No. 52 in E flat 17' Mendelssohn: Symphony No. 5 (Reformation) 33'
-
British Classics
Wed 1 Apr 2009 Symphony Hall
Springtime in England; and what better way to celebrate it than with this delightfully tuneful programme? Some of these pieces are classics, others are the kind of melodies you’re always humming but can’t put a name to; either way, they’ll come up fresh as a daisy under John Wilson’s sparkling baton. A fine British string player joins him for an afternoon of pure melodious pleasure. 1.15pm- Pre Concert Talk- John Wilson’s Light Programme Conductor John Wilson talks to Christopher Morley of The Birmingham Post about this concert of tuneful British rarities.
John Wilson - conductor Lawrence Power - viola City of Birmingham Symphony Orchestra
Holst: The Perfect Fool - ballet music 13’ Delius: On Hearing the First Cuckoo in Spring 4’ Walton: Viola Concerto 25’ Sullivan: Overture di Ballo 11’ German: Romeo and Juliet - Nocturne 5’ Farnon: Westminster Waltz 3’ Ketèlbey: Sanctuary of the Heart 4’ Elgar: Chanson de nuit 4’ Coates: The Three Men Suite 15’
- 1
- 2


View as plain text
