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RSS Feed - Cello eventsWhat's On — Cello events
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Sunday Morning Coffee Concert - Andreas Brantelid & Bengt Forsberg
Sun 23 Nov Town Hall
*Schubert* Sonata for Cello and Piano, D 821 _Arpeggione_ *Janacek* Fairy Tale for Cello and Piano *Franck* Sonata in A major op 13
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Tchaikovsky & Shostakovich
Fri 13 Feb 2009 Symphony Hall
The Russian State Philharmonic has the music of their homeland running strong in their blood. And with tonight’s celebrity soloists we can expect the powerful music of Tchaikovsky and Shostakovich to come to life in vivid technicolour: the illicit passion of Tchaikovsky’s Francesca da Rimini offset by the Mozartian elegance of the Rococo Variations; the brilliance of Shostakovich’s Second Piano Concerto in stark contrast to the despair and joy of his Sixth Symphony. Tickets £5-£37.50
*Russian State Philharmonic Orchestra* *Valery Poliansky* conductor *Julian Lloyd Webber* cello *Tatyana Polianskaya* piano
*Tchaikovsky* Francesca da Rimini 22’ *Shostakovich* Piano Concerto No 2 20’ *Tchaikovsky* Variations on a Rococo Theme 18’ *Shostakovich* Symphony No 6 33’
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Tokyo Quartet with cellist David Watkin
Sun 29 Mar 2009 Town Hall
Schubert’s String Quintet is one of the jewels in the crown of the chamber music repertoire. Its warm-hearted melodies and the rare beauty of its slow movement have made it one of the most popular Desert Island Discs for countless music-lovers. The incomparable Tokyo Quartet is celebrated for its ravishing refinement of tone and ensemble. They perform Schubert’s masterpiece alongside Haydn’s much-loved Emperor Quartet and the fresh innocence of Mendelssohn’s early Quartet in A minor. Tickets £5-£20
*Haydn* String Quartet in C, Op 76, No 3, Emperor 25’ *Mendelssohn* String Quartet in A minor, Op 13 30’ *Schubert* String Quintet in C, D956 55’
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Dvorák’s New World Symphony
Fri 8 May 2009 Symphony Hall
Libor Pešek is one of a long line of Czech conductors who have the music of Dvorák firmly in their blood. He visits Symphony Hall with the Prague Symphony Orchestra in two of Dvorák’s best-loved works: the Cello Concerto, packed with superb melodies that tug at the heart-strings, and the evocative New World Symphony, one of the most enduringly popular of all symphonies. *Classic FM’s Anne-Marie Minhall says of tonight’s recommended concert:* _I interviewed the cellist Steven Isserlis for The Guest List on Classic FM before he was due to give a series of performances of Dvorak’s Cello Concerto and he had this insight into the work: “I think recordings distort it because actually although the cello is of course the most important instrument, it's really like a big symphony in that there are so many important parts in the orchestra as well. The solo flute part is very, very important, (as is) the solo clarinet part, and there's lots of duets and there's lots of bits where the cello is accompanying the orchestra, so I like to think of it as chamber music on a huge scale." Tonight Nina Kotova is the soloist for the Concerto written by a love-struck and homesick Dvorak._ "Classic FM":http://www.classicfm.co.uk Tickets £5-£37.50
*Prague Symphony Orchestra* *Libor Pešek* conductor *Nina Kotova* cello
*Dvorák* Prague Waltzes 9’ *Dvorák* Cello Concerto 40’ *Dvorák* Symphony No 9, From the New World 40’
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Natalie Clein & Alina Ibragimova play Solo Bach
Sun 31 May 2009 Town Hall
Two of today’s most eagerly watched young soloists share a programme of Bach masterpieces for solo violin and cello. No young cellist has made more impact than Natalie Clein, and violinist Alina Ibragimova was described recently by The Times as “destined to be a force in the classical music firmament for decades to come.” Bach’s Second Solo Violin Partita includes the towering Chaconne in D minor-one of the ultimate peaks of the violin repertoire-whilst the Cello Suites glow with life-affirming joy and expressivity.
*Natalie Clein* cello *Alina Ibragimova* violin
*Bach* Cello Suite No 1 in G, BWV1007 17’ *Bach* Violin Partita No 2 in D minor, BWV1004 29’ *Bach* Violin Sonata No 1 in G minor, BWV1001 16’ *Bach* Cello Suite No 3 in C, BWV1009 20’
